Sunday, October 31, 2010

My Top 10 Halloween Movies

So, here's the complete rundown of my Top 10 Halloween movie picks, as featured this month on Facebook, as well as list of honourable mentions & recommendations - Happy Scary Halloween movie watching!

Here we go!

10. The Nightmare Before Christmas - The Tim Burton produced/Henry Selick directed film opened the floodgates and ushered in nearly a decade's worth of dark family stop motion movies. And with the Halloween/slash/Christmas cross-over appeal, you can watch this one as many times as you want on the two best holidays of the year!
*Also released a couple of years ago in 3D!




9. Beetlejuice - This earlier Burton film about a recently deceased couple settling into their after-life groove and scare away the hipster-doofus city folk who bought their classic country home features the role Michael Keaton was born to play - a foul-mouthed, lecherous zombie trying to make a fast buck off the naive newly-deads. How is this not a great Halloween movie?





8. Sleepy Hollow - Another Tim Burton film, a stylish re-telling of the classic Washington Irving Halloween story. The cast features several actors who had worked with Burton in the past or starred in films that inspired him - Johnny Depp and Martin Landau starred in Ed Wood, Michael Gough played Alfred in Batman('89),Jeffrey Jones from Beetlejuice, and Lisa Marie - Burton's partner and beautiful Martian interloper in Mars Attacks!, as well as Christopher Lee, Ian McDiarmid, and the perennially creepy Christopher Walken.
Autumn in upstage New York, flaming pumpkins and repeated Tim Burton themes and images - it must be Halloween!





7. Se7en - not specific to Halloween, but the film takes place in late summer/early fall... lot of rain and dying foliage (at least dead grass in the last scene...).
It's creepy and unsettling and amazing!










6. Donnie Darko - Again creepy and unsettling, but more specific to Halloween, as the major events of the film occur on Halloween night. And what's creepier than someone you may or may not know in a really spooky giant bunny costume? Being stuck in a time loop, possibly living the last week of your life over and over and over again...
Retro music, Patrick Swayze and falling aircraft pieces - Sparkle Magic indeed!





5. Poltergeist - the best ghost movie ever!
A family in suburban California (in a neighborhood that looks like it's just over the hill from E.T.'s families place... )begins to experience some disturbing supernatural phenomena, seemingly focused on the angelic youngest daughter. Based on a true story about a subdivision built on a sacred aboriginal burial ground. And... it also comes with a curse - four members of the cast of the three films passed on before the final film was released...
Wooooo-ooooooh!





4. Night of the Living Dead - George Romero's original low budget zombie movie changed the rules and gave us a new view on zombies. Previously, zombies had just been relegated to being the tools of voodoo priests and were not really associated with flesh-eating, lurching shotgun targets we know and love today. Originally created by 'radioactive contamination' from a destroyed space probe, the explanations of what causes 'zombification' change over the years, usually based on what's causing the most public hysteria - most recently, fast spreading mutant viruses - back in the day, the Vietnam War or the damn Russkies... and since then, they've evolved into hyper-active, sprinting ferocious demons, but the original sloth-like, clumsy biters pack just as much punch. One bite is still all it takes.




3. A Nightmare on Elm Street - Director Wes Craven re-invented hte slasher movie when he created A Nightmare.... The horror movie market was overrun with cookie cutter slashers based on either Jason Voohees or Michael Myers, seeking revenge or upholding some moral code wherein promiscuity is wrong and savage murder is an acceptable punishment for 'doing-it' on a camping trip, at the drive-in, or girlfriend's parent house while they're out of town for the weekend...
And while Freddy Krueger seemed to kill by code as well, he used his victims sex as a distraction and got them where they weren't expecting - in their dreams.
After a parade of sequels, the series' popularity fell off as its formerly terrifying star became a rubber clown, but the original maintains its chills and revolutionary scare tactics.
You may think Freddy's tired and lame now, but check out the original and you'll respect the sweater man again.



2. The Texas Chainsaw Massacre - They say the scariest things are true. And that what makes this film REALLY scary. It's partially based on the activities of serial grave robber and murderer Ed Gein who actually did decorate his home with handicrafts make from relics recycled from Wisconsin cemeteries in the '50's. His exploits also inspired the characters Norman Bates from Psycho and Buffalo Bill from The Silence of The Lambs. Like Gein, the chills in this film come from the protagonists presenting themselves as normal in society, kidnapping victims when the opportunity arose, only to do unspeakably terrible things to them. Unlike Gein, the film concerns a family working together, and the tool of choice - the titular chainsaw. Not too many sound effects had the same effect as the sudden start of a two-stroke hornets nest like Leatherface's beloved saw.
The grainy quality of the film itself lends an almost documentary realism and that, combined with John Larroquette's monologue/disclaimer at the film's outset makes the audience feel like they're watching these actual events unfold for real.
No Halloween movie party is complete without a screening of the original. And it's a great way to weed out some of your more squeamish guests!
Rhiiiiiiiiiinnnn-aaaanniiiiiiiiiinnnnnn-anin-nin!




1. Halloween - This really doesn't even need an explanation.
It just makes sense. And not because it's called 'Halloween'...
It all takes place on Halloween night and there's an escaped mental patient on the loose, wearing a modified William Shatner/Captain James T. Kirk mask.
So good - so creepy.
Just a big guy in overalls killing teenagers for pretty much no reason.
(In my humble opinion, Rob Zombie effed up the whole appeal when he tried to explain away Michael's killing ways by making his step-father an abusive prick and having him be the target of bullies... What's more terrifying that some middle class 6 year-old in a clown costumer randomly and without provocation murdering his older sister? And then returning home 15 years later the hunt down friendly babysitter Laurie Strode, played by Jamie Lee Curtis....? Awesome.
Curtis's screams are the only sound effect more 'Halloween' than the sound of Leatherface's (or I guess anyone in the dark..'s) chainsaw!


Honourable Mention - (in absolutely no order whatsoever).

*The Shining - yeah, it's a classic. And while it has little to do with the novel for which it's named, it's still got some pretty solid scares, but it's more of a Winter Holidays scary movie.
*Batman - two guys running across town in a clown outfit and a bat outfit? how does that not scream Halloween? (Also, Tim Burton).
*Ghostbusters - yup.
*Cloverfield - giant monsters are always cool!
*The Exorcist - a little over-hyped but still a classic. Who here doesn't like watching little girls verbally abuse priests and curse like sailors?
*Invasion of the Body Snatchers - a forgotten '70's gem! Donald Sutherland and Jeff Goldblum and some other people on the run from pods stealing their identities - a perfect allegory for... anything! And the suspense just builds and builds in this one. So good.
*The Others - there's nothing better than a great ghost story, and Spanish director Alejandro Amenábar scores some excellent scares with this film.
*Jacob's Ladder - Tim Robbins is awesome as a guy who's really confused by the weird stuff that's going on around him since he came home from the Vietnam War. Man, everybody was making movies about 'Nam in the early '90's...
*The Mothman Prophecies - an intriguing and spooky movie about some weird going's-on in Wes Virginia. I could even overlook the vanilla wave of bland self-satisfaction that is Richard Gere for this one.
*Hellraiser - you want gore? Here, take one of these and call me when you're crying to Mama. Clive Barker gives a double blast of blood and eroticism in the first of a series that spawned several unwatchable and useless sequels. Doug Bradley is imposing and gentlemanly as The First Cenobite (Pinhead), and Clive Barker does a considerably better in his first directorial effort than Stephen King (Maximum Overdrive).
*An American Werewolf In London - You gotta have a good werewolf movie! Great atmosphere, awesome transformations and plenty of laughs to relieve the somberness of English weather, and a great oldies soundtrack!
*The Fly - another amazing monster movie, and a nice Canadian element(shot in Toronto, directed by David Cronenberg). Obsessed scientist turns into giant fly through genetic experiment gone wrong. It's funny how one little thing can make such a big difference.
*Pin - another obscur-ish Canadian film, this psychological thriller concerns a doctors son's preoccupation with a medical dummy. Creepy, creepy, creepy.
*The Silence of the Lambs - the autumn setting, the horrible activities of Buffalo Bill and Tony Hopkins' perfect delivery - excellent.
*The Sixth Sense - the basis of countless parodies, this film still delivers authentic chills and a great shock ending. It even provided a little credibility to Bruce Willis' resume.
*Halloween III: Season of the Witch - the dirty bastard child of the Halloween franchise. H3 does not directly feature Michael Myers, but instead concerns itself with a malevolent Irish industrialist bent on killing the youth of America by way of electronically dangerous rubber masks. Making an 'action star' of character actor Tom Atkins and featuring one of the MOST irritating television commercials in modern cinema, Season of the Witch is still a pretty fun Halloween watch.

Sunday, March 7, 2010

82nd Academy Awards - Movie Guy's Picks

aside from the glaring omission of 'The Road'...
here are my choices:


Actor in a Leading Role

* Jeff Bridges in “Crazy Heart”
* George Clooney in “Up in the Air”
* Colin Firth in “A Single Man”
* Morgan Freeman in “Invictus”
* Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

* Matt Damon in “Invictus”
* Woody Harrelson in “The Messenger”
* Christopher Plummer in “The Last Station”
* Stanley Tucci in “The Lovely Bones”
* Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

* Sandra Bullock in “The Blind Side”
* Helen Mirren in “The Last Station”
* Carey Mulligan in “An Education”
* Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
* Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

* Penélope Cruz in “Nine”
* Vera Farmiga in “Up in the Air”
* Maggie Gyllenhaal in “Crazy Heart”
* Anna Kendrick in “Up in the Air”
* Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

* “Coraline” Henry Selick
* “Fantastic Mr. Fox” Wes Anderson
* “The Princess and the Frog” John Musker and Ron Clements
* “The Secret of Kells” Tomm Moore
* “Up” Pete Docter

Art Direction

* “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
* “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
* “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
* “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
* “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

* “Avatar” Mauro Fiore
* “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
* “The Hurt Locker” Barry Ackroyd
* “Inglourious Basterds” Robert Richardson
* “The White Ribbon” Christian Berger

Costume Design

* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell

Directing

* “Avatar” James Cameron
* “The Hurt Locker” Kathryn Bigelow
* “Inglourious Basterds” Quentin Tarantino
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
* “Up in the Air” Jason Reitman

Documentary (Feature)

* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Louie Psihoyos and Fisher Stevens
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing

* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

* “Ajami” Israel
* “The Milk of Sorrow (La Teta Asustada)” Peru
* “A Prophet (Un Prophète)” France
* “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
* “The White Ribbon (Das Weisse Band)” Germany

Makeup

* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino

Music (Original Song)

* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Best Picture

* “Avatar” James Cameron and Jon Landau, Producers
* “The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
* “District 9” Peter Jackson and Carolynne Cunningham, Producers
* “An Education” Finola Dwyer and Amanda Posey, Producers
* “The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
* “Inglourious Basterds” Lawrence Bender, Producer
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
* “A Serious Man” Joel Coen and Ethan Coen, Producers
* “Up” Jonas Rivera, Producer
* “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Short Film (Animated) *haven't had a chance to view all, so passing on choosing

* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park

Short Film (Live Action) *haven't had a chance to view all, so passing on choosing

* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers

Sound Mixing

* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Monday, November 23, 2009

Fall Movie Preview - American Thanksgiving Weekend!

Releases for the week of November 23:

*just so you know, I wasn't really compelled to write anything last week because the releases were pretty much limited to The Twilight Saga: New Moon and Planet 51 and the Sandra Bullock weepy, The Blind Side... so here are some picks that look a lot more promising.


Me & Orson Welles
- Dir. Richard Linklater; Zach Efron, Christian McKay,
Ben Chaplin, Claire Danes.
Graduating from the stage of High School Musicals, Efron plays a young thespian looking for a break on the Great White Way, and fins himself landed a role in "Julius Caesar" directed by a young Orson Welles. McKay, a relative unknown, is a ringer for the blustery genius Orson. Linklater's hot'n'cold career has
thus far produced such offerings as A Scanner Darkly, Before Sunrise/Sunset, The School of Rock & Bad News Bears ('05). Judge accordingly.








Ninja Assassin: Dir. James McTeigue; with Korean superstar Rain, Rick Yune, Naomie Harris (Tia Dalma from 'Pirates' films), Ben Miles.
With production by The Wachowski Brothers (the Matrix trilogy, V for Vendetta),
this story of feuding ninja clans and an orphaned boy all grow up and looking for vengeance is certain to feature plentiful slow-mo, physics defying fight sequences and minimal character development. If you're looking for 99 minutes of brain-in-neutral eye candy, you have a lot to be thankful for this week.






Old Dogs: Dir. Walt Becker; John Travolta, Robin Williams, Kelly Preston, Ella Blue Travolta, Lori Loughlin, Seth Green, with Matt Dillon, Justin Long (the Mac guy) and the final appearance of Bernie Mac.
From the director of Wild Hogs and Van Wilder, Travolta and Williams play career guys with no immediate plans on settling down with kids, when one of them is informed by his ex-wife that he does in fact have a pair 7-year-old twins.
Shenanigans and hi jinks abound. The trailer has been providing some LOL moments so this family-friendly heart warmer is sure to be safe entertainment for your kids and your parents. After the stinkers RV and License To Wed, it's obvious Williams really does need a little help from some friends.
*This is also a family project for the Travoltas, with John and wife Kelly Preton, and daughter Ella.




The Road: Dir. John Hillcoat; Viggo Mortensen, Kodi Smit-McPhee, Charlize Theron, Robert Duvall, Guy Pearce, and Canadian Molly Parker.
Based on the novel by Cormac McCarthy (All The Pretty Horses, No Country for Old Men, Blood Meridian) a father and son travels the American wasteland after a presumably global ecological catastrophe leaves most of the population dead and the environment in ruins. The story follows their trek south, looking for safe refuge from the deadly winter ahead. The Road screened to rave revues at the 2009 Toronto International Film Festival, and director Hillcoat is virtually unheard of in North America, having directed a handful of films in his native Australia, as well as several music video for the likes of Depeche Mode, Siouxsie and the Banshees, and Nick Cave.
*Early teaser poster for The Road





The Princess & The Frog: Dir. Ron Clements & John Musker; Anika Noni Rose, Keith David, Jenifer Lewis, Ritchie Montgomery, Bruno Campos, Oprah Winfrey
In a return to traditional hand-drawn cell animation, Disney brings back a couple of guys who know how to do it right - Directors Clements and Musker have collaborated on a number of Disney classics since The Great Mouse Detective,
including The Little Mermaid and Aladdin. This time out the story is set in 1920's New Orleans, in the heart of the jazz age. A young woman sets out to establish her own business, and a little night magic causes her to cross paths with a talking frog. If you've ever seen one Disney movie, you know how the story unfold from there - songs, someone who embodies evil with totality, more talking animals and a fairy tale ending. Great for the kids but with a jazzy soundtrack, should appease parents and adult animation enthusiasts with a fresh, jazzy soundtrack. Oh yeah... songs by Randy Newman... take that for what you will.




Fantastic Mr. Fox: Dir. Wes Anderson; George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Owen Wilson, Wallace Wolodarsky, Eric Chase Anderson.
All the usual Anderson suspects are here, but now they're represented by hand-made stop-motion puppets covered in real hair and clothe costumes. In this retelling of Roald Dahl's beloved classic story, Clooney's the voice behind the Fox, an established mammal looking to provide for his family, primarily by raiding the stores of three nearby farmers who are in turn on to his dirty deeds and plan to do him harm. Anderson has blended the 39 year old story with his 'could only be a soap opera' style to make the trials of the Fox family and friends a little more metropolitan and give the story a little more weight and beef up the running time. It'll be like Life Aquatic mashed-up with Team America without the fart jokes. Excellent.

Friday, November 13, 2009

Fall Movie Preview Part 2

This week's releases:



2012: Roland Emmerich's most recent take on destroying the world, this time with John Cusack is the likeable everyman leading us through this thrill-ride that blows-'em-up real good. Based on the idea of the end of the world as we know it coinciding with the end of the Mayan calendar, all hell breaks loose and all but the most politically incendiary landmarks around the world are erased of the face of the world, like a big reset button was pushed. Emmerich's blown up lots of stuff in The Day After Tomorrow, Independence Day and Godzilla ('98). Cusack seems to be stepping into shoes normally worn by Nic Cage, but his affable nature played well in Con Air and Identity, so he'll surely add some credibility that seem like an after-thought since Will Smith or Tom Cruise weren't available. With Thandie Newton, Amanda Peet, and Oliver Platt, as well as appearances by Danny Glover and Woody Harrelson.









Pirate Radio
: In what could be a beautiful mash-up of High Fidelity, Almost Famous and A Hard Day's Night, relentlessly hip Philip Seymour Hoffman plays dj on a ship off the coast of England in 1966. Kenneth Branagh plays a feathers-ruffled English minister who wants the ship off the air. With Bill Nighy, Rhys Ifans, Nick Frost (most familiar to North American audiences as Simon Pegg's right hand in Shawn of the Dead and Hot Fuzz)and Rhys Darby (familiar to N.A. audiences as Murray Hewitt from Flight of the Conchords). Set in an amazing era of music and re-edited since it's not-great European release, this should at least be a fun trip!


*poster from the European release

Friday, November 6, 2009

Fall Movie Preview 2009 - Part 1

As Canadians, we've been for years at the mercy of the trends and times of the 'cultural' behemoth beneath us.Not to say that we haven't made a great culture of our own, especially in the arts, but for the entertainment of the masses, we flow along with the tides of the US, eh. And these pulsations of the newest and coolest aren't seen anywhere as vividly as they are in the world of cinema... and I use that term in it's loosest possible meaning. There are two times in the year that studios roll out the big guns, and big hugs,as it were. May sees the beginning of the Summer Blockbuster season - where Bruckheimer and Bay, Willis and Will Smith frolic with bullets blazing, explosions blossoming and money falling from our wallets like rain from the heavens. The Summer Blockbuster season lasts usually until the 2nd week of August at which point the movie-going public generally tries to get back to real life for a few months. In the interim, the studios trot out their Lost Dogs and Born Losers - movies that they know aren't great or even good sometimes. This wasteland is a dull, sad and sometimes unintentionally hilarious or terrifying place, but it give audiences a little bit of breathing room between the Summer Blockbuster season, when they expect every red-blooded, oxygen-breathing person with a debit card and at least one good working eye to be in those moderately comfortable theatre seats at least one night of every weekend during the summer (and maybe the odd Tuesday or Wednesday night, if you don't mind), and the next wave. But the wasteland provides a moment's solace, before the next tidal wave of awesomeness hits, around the third week of November, (just in time for the American Thanksgiving), the Holiday Blockbuster season cranks to life. Generally offering less explosive and more family-friendly fare, studios try to cash in on families flocking to the theatres once they've grown tired of each other's company.

That said, finally... here's a quick run-down of some of this years Holiday season options:

Getting an early start, a whole batch of interesting titles are being released Nov.6:



The Box - Cameron Diaz, James Marsden, Frank Langella - A family facing financial frailty finds a mysterious box on their doorstep and is placed on the stage of a very real-life and ultimately terrible reality tv show. And they'll have to do it without the help of Jeff Probst. From Richard Kelly, writer/director of Donnie Darko. (based on a story by Richard Matheson - 'I Am Legend' & 'What Dreams May Come')










Disney's A Christmas Carol - Jim Carrey, Gary Oldman, Bob Hoskins, Colin Firth - A timeless holiday classic, dusted off and fancied up for the 3D age, it's 21st film adaptation. Carrey stars as the crotchety protagonist of this perennial redemption story, lending his mugging and elasticity to motion capture technology. Directed by Robert Zemekis - Back to The Future, The Polar Express - this animated film also features the on-screening reuniting of Cary Elwes and Robin Wright-Penn, of The Princess Bride.






The Fourth Kind - Milla Jovovich, Elias Koteas, Will Patton - Jovovich steps away from the zombie genre for a moment (don't worry - Resident Evil-Afterlife is slated for Aug.2010) to star in this 'fact-based' ficto-docu-something.. is derived from actual case studies from a series of unexplained deaths in a remote Alaskan town. Alien abductions are always exciting fare but we've already had on Blair Witch
Redux with Paranormal Behaviour, so the studios may have been better served offering this one as a straight ahead abduction flick as opposed to fueling the 'is it live or is it memorex' debate which no one will really care about two weeks after they see this. If this was really based on irrefutable evidence of extraterrestrial misdoings, surely Robert Stack or Barbara Walters would be hosting. Nevertheless, supposed to be terrifying so if you don't get all the scares you were hoping for from A Christmas Carol, this would make a great fall-back.





The Men Who Stare at Goats - George Clooney, Ewan McGregor, Kevin Spacey, Jeff Bridges - with a cast like this, something would have to be terribly wrong and missed by several levels of production staff for this not to be another Three Kings or a clever cross of Coen Bros and David Mamet. McGregor is a journalist looking for a story to make his name. Clooney is a weirdo claiming to be part of a secret 'special' branch of the military trained with psychic powers. When the founder of the unit disappears, Clooney's Cassady makes it his mission to find, McGregor's Bob Wilton senses either a great story or a fun road trip. With Stephen Root in the supporting cast and multiple references to Jedi's with Ewan 'Obi-Wan' McGregor in the room, this should certainly please the more off-beat cinemaphile.




Precious - Mo'Nique, Mariah Carey, Lenny Kravitz and newcomer Gabourey Sidibe; produced by Oprah and Tyler Perry. This gritty drama has already been praised endlessly at Sundance and TIFF and may be a Little more reality than some are looking for in the holiday season, but effective performances by Sidibe and Carey make the story of a teenage girl on a long road down to nowhere ultimately offers a positive and life-affirming message. Well, of course it does, or it would have been produced by Quetin Tarantino rather than O.

Followers